Black Label Media, Gilbert Films, Impostor Pictures,

Ryan Gosling, Emma Stone, John Legend, Rosemarie DeWitt, J.K. Simmons, Finn Wittrock, Meagen Fay, Callie Hernandez, Sonoya Mizuno, Jessica Rothe, Tom Everett, Josh Pence

Mia (Emma Stone) is a wannabe Hollywood actress, but stuck working as a barista in the studio commissary. She is frustrated, but full of ambition. Meanwhile, she keeps running into jazz pianist Sebastian (Ryan Gosling) and tempers flare until sparks begin to fly. But each is filled with ambition and drive, and their paths are certainly separate from each other, so they have to face many difficult choices along their way for a relationship that seems to be doomed from the beginning. This is certainly a musical, but it’s filled with nostalgia for Hollywood yesterday, and old fashioned falling in love.

This film will ever be remembered as the film that Warren Beatty and Faye Dunaway announced as the Best Picture winner at the Oscars in 2017 when it actually lost. This was a classic screw-up of massive proportions. But was this film the Best Picture, really? La La Land is a paradox of ups and downs, goods and bads. On the good side, Emma Stone and Ryan Gosling were absolutely great in their roles. They nailed the style and motif of the film perfectly. They both pulled off some really amazing skills that blew everyone away. For example, the plan was to use a pianist to play the piano with Ryan only pretending to do it. But he took lessons constantly that allowed him to play the music himself and perform the songs effortlessly. Even John Legend was impressed. Emma has a huge audition scene which she also performed herself, flipping between acting and singing without any the usual prerecorded track. The cast was very impressed. The cinematography is very well done. The look and feel of Hollywood is colorful and beautiful and show many of the sites and locations that mean so much to those of us who live here in LA. The story is very nostalgic, but that’s what we are really looking for. It pays homage to the Hollywood of yore and does it very well. It’s a simple boy-meets-girl, boy-loses-girl story, told with music. Now for the bads. The music is highly forgettable. When was the last time you heard a huge hit song from the new musical LA LA Land on the radio? It’s really simplistic and seems to mostly just fill in time. That part could have been done very much better. The story is rather simplistic. The drama seems really contrived and not really very believable. But the negatives don’t really destroy the experience, and it was very popular with the Foreign Press! For those who have had the acting or musician bug, it’s right up your alley, but not everyone is going to love this. I did not think it was best picture by any means, but it is good enough for a high recommendation. It is a great opportunity, like watching and old movie on AMC, to kick off your shoes, lie back, and enjoy a couple hours of pure unadulterated nostalgia. Finally a word about the ending. This may catch some folks by surprise, but there is an epilogue to the film that is a performance art sort of piece showing the “what ifs” of what life could have been. This film is about wishes and dreams, more than about love and romance, and it’s an interesting way to send us off think about that. The final ending is stunning. Wait for it.

EdG – EdsReview Dot Com – A Movie Review Blog



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    Ed's Review Dot Com » Movie Review – Cafe Society (2016) {PG-13} said

    June 3 2017 @ 11:01 am

    […] it could be hit or miss. This one wasn’t too bad at all. I think this movie out La La Lands “La La Land” [Click Here for Ed’s Review] . Ever since “The Artist” [Click Here for Ed’s Review] came out in 2011 and […]

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